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	<title>dvHandbook</title>
	<link>http://www.dvhandbook.com</link>
	<description>A resource for digital filmmakers and videographers, featuring reviews, how-to's, and more.</description>
	<copyright>Copyright 2005</copyright>
	<pubDate>Mon, 27 Jun 2005 16:36:38 +0000</pubDate>
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		<item>
		<title>After Effects 6.5 Professional</title>
		<link>http://www.dvhandbook.com/index.php?p=36</link>
		<comments>http://www.dvhandbook.com/index.php?p=36#comments</comments>
		<pubDate>Fri, 04 Feb 2005 03:25:24 +0000</pubDate>
		
	<category>Post-production</category>
	<category>Reviews</category>		<guid>http://www.dvhandbook.com/index.php?p=36</guid>
		<description>Adobe revs its workhorse compositor with some much-needed automatic keyframing tools and more. </description>
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		<item>
		<title>Interview With a Music Supervisor</title>
		<link>http://www.dvhandbook.com/index.php?p=31</link>
		<comments>http://www.dvhandbook.com/index.php?p=31#comments</comments>
		<pubDate>Fri, 04 Feb 2005 03:24:55 +0000</pubDate>
		
	<category>Post-production</category>		<guid>http://www.dvhandbook.com/index.php?p=31</guid>
		<description>Music supervision is a key part of scoring and sound design. Kalonica McQuesten discusses her experience and approach to music supervision for several types of projects. </description>
		<wfw:commentRSS>http://www.dvhandbook.com/wp-commentsrss2.php?p=31</wfw:commentRSS>
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		<item>
		<title>Apple Motion 1.0</title>
		<link>http://www.dvhandbook.com/index.php?p=35</link>
		<comments>http://www.dvhandbook.com/index.php?p=35#comments</comments>
		<pubDate>Fri, 04 Feb 2005 03:22:07 +0000</pubDate>
		
	<category>Post-production</category>
	<category>Reviews</category>		<guid>http://www.dvhandbook.com/index.php?p=35</guid>
		<description>Apple's long-awaited motion graphics app finally arrives. </description>
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	</item>
		<item>
		<title>Combustion 3</title>
		<link>http://www.dvhandbook.com/index.php?p=37</link>
		<comments>http://www.dvhandbook.com/index.php?p=37#comments</comments>
		<pubDate>Fri, 04 Feb 2005 03:21:36 +0000</pubDate>
		
	<category>Post-production</category>
	<category>Reviews</category>		<guid>http://www.dvhandbook.com/index.php?p=37</guid>
		<description>Though it may not have the installed base of Adobe After Effects or Apple's Shake, discreet's Combustion has a loyal following of users who are drawn to its interface, excellent particle effects, low price and compatibility with discreet's higher-end products.

With version 3, the company continues to improve their least expensive ...</description>
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	</item>
		<item>
		<title>Commercial Budget</title>
		<link>http://www.dvhandbook.com/index.php?p=30</link>
		<comments>http://www.dvhandbook.com/index.php?p=30#comments</comments>
		<pubDate>Thu, 03 Feb 2005 23:49:50 +0000</pubDate>
		
	<category>Pre-Production</category>		<guid>http://www.dvhandbook.com/index.php?p=30</guid>
		<description>Shooting a commercial? Need help making a budget? Here you go... </description>
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		<item>
		<title>What does a Producer do?</title>
		<link>http://www.dvhandbook.com/index.php?p=29</link>
		<comments>http://www.dvhandbook.com/index.php?p=29#comments</comments>
		<pubDate>Thu, 03 Feb 2005 23:47:29 +0000</pubDate>
		
	<category>Pre-Production</category>		<guid>http://www.dvhandbook.com/index.php?p=29</guid>
		<description>You see all sorts of "producer" credits, but what do they mean? Find out here. </description>
		<wfw:commentRSS>http://www.dvhandbook.com/wp-commentsrss2.php?p=29</wfw:commentRSS>
	</item>
		<item>
		<title>Unions and Scheduling</title>
		<link>http://www.dvhandbook.com/index.php?p=28</link>
		<comments>http://www.dvhandbook.com/index.php?p=28#comments</comments>
		<pubDate>Thu, 03 Feb 2005 23:35:46 +0000</pubDate>
		
	<category>Pre-Production</category>		<guid>http://www.dvhandbook.com/index.php?p=28</guid>
		<description>Should you become a union signatory? This article discusses the impact of unions on your scheduling process. </description>
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	</item>
		<item>
		<title>Corporate A/V Scheduling</title>
		<link>http://www.dvhandbook.com/index.php?p=27</link>
		<comments>http://www.dvhandbook.com/index.php?p=27#comments</comments>
		<pubDate>Thu, 03 Feb 2005 23:31:27 +0000</pubDate>
		
	<category>Pre-Production</category>		<guid>http://www.dvhandbook.com/index.php?p=27</guid>
		<description>Even a small corporate or industrail project needs a functional schedule. This essay will help you understand how to make one. </description>
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	</item>
		<item>
		<title>Documentary Scheduling</title>
		<link>http://www.dvhandbook.com/index.php?p=26</link>
		<comments>http://www.dvhandbook.com/index.php?p=26#comments</comments>
		<pubDate>Thu, 03 Feb 2005 23:30:13 +0000</pubDate>
		
	<category>Pre-Production</category>		<guid>http://www.dvhandbook.com/index.php?p=26</guid>
		<description>The specifics and particulars of scheduling a documentary. </description>
		<wfw:commentRSS>http://www.dvhandbook.com/wp-commentsrss2.php?p=26</wfw:commentRSS>
	</item>
		<item>
		<title>DV Feature Film Scheduling</title>
		<link>http://www.dvhandbook.com/index.php?p=25</link>
		<comments>http://www.dvhandbook.com/index.php?p=25#comments</comments>
		<pubDate>Thu, 03 Feb 2005 23:28:38 +0000</pubDate>
		
	<category>Pre-Production</category>		<guid>http://www.dvhandbook.com/index.php?p=25</guid>
		<description>How to schedule a DV-based feature film. </description>
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